Is Kanye West Using Hate to Stay Relevant?

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Published May 14, 2025 2:01 AM PDT

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Is Kanye West Using Hate to Stay Relevant?

Kanye West has never been shy about controversy—but his latest move with the song “Heil Hitler” pushes beyond the boundaries of shock value. Whether it's a misguided attempt to reclaim free speech or simply an unfiltered expression of his spiraling worldview, one thing is certain: this track doesn’t just offend—it endangers.

Release Details: A Track Designed to Disturb

The song “Heil Hitler” was quietly released last week via Kanye’s personal website and independently distributed to fringe platforms like BitChute and Rumble. Despite this low-profile launch, it gained massive traction, amassing over 88 million streams across platforms before being pulled, as reported by the Daily Express.

The music video, equally disturbing, features several actors draped in raw animal hides—wolves, foxes, bears—chanting the song's title phrase in unison. The symbolism? Vague. The message? Deeply unsettling. Whether it’s performance art or propaganda, there’s no mistaking the imagery for anything subtle.

Where Is It Banned? A Global Rejection

Following widespread backlash, the track was quickly banned from Spotify, Apple Music, YouTube, and Tidal. Internationally, Germany, France, and Austria—countries with strict hate speech laws—blocked access almost immediately.

Instagram and X also removed video clips reposted by fans, citing violations of hate speech policies. Even Reddit and Discord communities began removing links to the video.

While Kanye’s defenders cry “censorship,” this is less about muzzling an artist and more about protecting the public from content that openly flirts with fascist glorification.

Kanye West also got himself banned from Twitch within 7 minutes of making hateful remarks as well as demonstrating the Nazi Salute on the platform according to The Hindu. His account is still deactivated, Twitch responded with admirable speed to close down this harmful behaviour.

Related: Free Speech for All or None: What is the Danger of Selective Censorship?

Related: Truth Social: Trump’s Echo Chamber Masquerading as Free Speech

Division in Celebrity Reactions

The reaction from public figures has been as polarizing as the song itself. Self-proclaimed free speech absolutist Andrew Tate posted a video of himself listening to “Heil Hitler” in his car, nodding along in approval. Kanye reposted the clip, effectively endorsing Tate’s validation and fueling outrage across social media.

Meanwhile, Russell Brand, no stranger to controversial takes, gave the track a vague but noticeable thumbs up on his podcast, calling it “a chaotic reflection of censorship in modern art,” stopping just short of an outright endorsement.

On the other end of the spectrum, John Legend, a longtime collaborator turned critic, spoke out publicly, calling the release “a tragic sign of Kanye’s continued downfall” and urging fans not to confuse shock for substance.

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Has He Gone Too Far?

Kanye’s track record of controversial statements is long—from his bizarre 2020 presidential run to claiming slavery was a “choice,” and most infamously, praising Hitler in previous interviews. These comments have cost him high-profile deals, including the massive fallout with Adidas and the collapse of his Yeezy empire.

But “Heil Hitler” is something else entirely. This isn't a throwaway quote or an off-the-cuff interview comment. This is a professionally produced, deliberately released piece of music and visual media built around the most violent symbol of hate in modern history.

There is no “misunderstood genius” defense here.

Related: Free Speech for All or None: What is the Danger of Selective Censorship?

The Danger: Hate Masquerading as Art

Let’s not get it twisted: “Heil Hitler” isn’t a radical protest track or some subversive critique of modern society. It’s a megaphone for hate, dressed up as free expression.

Worse, it gives a dangerous kind of permission to listeners who already feel emboldened in their hateful views. Kanye's enormous reach and influence despite his career setbacks can amplify dangerous rhetoric in ways no obscure hate group ever could.

This isn't just about one song. It's about the normalization of hate under the guise of freedom. If Kanye claims this is about free speech, it ironically proves the point: his song was heard far and wide before it was taken down. And now that it's been banned, it’s spreading faster through fringe platforms and backchannels, feeding conspiracy theorists and extremists alike.

The harm isn’t abstract, it’s real. Hate crimes are rising. Antisemitism is on the upswing globally. And now, one of the most famous artists in the world has dropped a song that essentially fuels that fire.

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Art, Censorship, and Playing the Villain

Some of Kanye's defenders argue that “Heil Hitler” is not an endorsement of hate, but rather an abstract, provocative commentary on censorship and media portrayal. They claim the song is Kanye leaning into the villain role the public and press have assigned him—an extreme, symbolic gesture to show how he’s been demonized and silenced.

From this perspective, the song becomes less about the phrase itself and more about what happens when someone says it—forcing society to confront its own limits on free speech. In their eyes, Kanye is testing the boundaries of expression, turning himself into a kind of sacrificial figure to expose the hypocrisy of modern “cancel culture.”

But even if that’s true—and that’s a generous interpretation—it’s a reckless, self-absorbed way to make a point. When the metaphor involves literal hate speech, the message gets lost in the damage it causes. The line between performance and propaganda becomes dangerously blurred.

Related: Kanye West’s Business Empire in 2025: From Music to Multi-Industry Dominance

Conclusion

Let’s call it what it is, Kanye West has lost the plot. Whether he’s spiraling into delusion, staging a desperate publicity stunt, or truly believes in what he’s putting out, none of those excuses absolve him from the consequences. He’s not a martyr for free speech. He’s not a misunderstood artist. He’s a dangerously influential figure who’s shown, once again, that he’s willing to promote hate under the guise of “truth.”

And while the industry and platforms were right to ban this track, the damage may already be done. Because now, “Heil Hitler” exists in the dark corners of the internet—and in the minds of people who feel newly justified in their hate.

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